I recently mentioned that I’d started three books at once, all of which had a common theme of law and law enforcement, and all of which lawyers recommended to me: John Mortimer’s “Rumpole Omnibus #1,” a collection of short stories; Steve Bogira’s nonfiction “Courtroom 302,” and Alan Moore and Dave Gibbons’s “Watchmen,” a graphic novel. (I should note that John Higgins gets well-deserved high billing as colorist along with Moore, the writer, and Gibbons, the illustrator/letterer, on the hardcover edition’s title page.) I still have the first two going, but I’ve now finished the third.
What I’d most like to tell you about “Watchmen” is this: Change whatever your reading plans are and move it to the top of your list.
It’s an amazing, complex, multilayered work. If you’d like to know a bit about it before you begin, read the Wikipedia entry, which is scholarly and thorough. It also contains spoilers, so you might prefer to stop after the “Background and Development” section. Once you’ve finished it, you may, as I did, want to reread portions to pick up what you missed the first time around or put some pieces together. The Watchmen Wiki, as well as the rest of the Wikipedia entry, can help you to make sense of anything you missed.
Published in 1986 and 1987 as a 12-volume serial comic book, “Watchmen” is mostly a graphic novel, but interspersed are meta-fictional straight narratives as well as a comic book story within this comic book story–meta-metafiction. Its structure puts it ahead of its time, not only in 1988 but still today. It fully deserves the high praise it’s garnered from, among others, Time magazine, which named it one of the hundred best English-language novels published since 1923.
Have you read “Watchmen?” What did you think of it?