Law and Conversation

June 20, 2011

Read This: The Wind In The Willows

I’ve been thinking about The Book Show’s list of books everyone should read by the age of 21 ever since I saw it a couple of weeks ago. It’s a fine list, mind you–but the authors who contributed to it emphasized the very high end of the age range at the expense of the younger reading years that one might think should have been included.

If I’d been asked to name one book for such a list, I’d choose Kenneth Grahame’s “The Wind In The Willows.” It’s simply a marvelous book that everyone should have read by the age of 21 and everyone older than 21 should reread every few years.

This charming story of friendship among riverdwelling animals in England has inspired many talented illustrators, including Ernest H. Shepard–the edition I grew up with, which has a well-known cover illustration of Badger, Toad, Mole and Ratty–and Charles van Sandwyk, illustrator of the current Folio Society edition. Though Grahame’s story is perfectly beautiful all by itself, the illustrations make it even more of a joy to read; would that more publishers today would hire artists to illustrate stories for youth and adults alike.

Though Grahame’s book has universal appeal, lawyers, especially those who practice traffic law, should make a special place for it. Though the story takes place long before cell phones and texting, Toad is the archetypal distracted driver, so pleased with the motorcar he’s stolen and so self-absorbed that it doesn’t occur to him what a menace he is on the road. Even lawyers have to cheer when the gaoler’s daughter helps Toad to escape after being picked up for his crime and summarily sentenced to 20 years’ imprisonment, and cheer again when Badger, Mole, and Ratty liberate Toad Hall from the weasels’ attempt at adverse possession.

More important, the book is a wonderful story of friendship. Though Toad doesn’t make things easy for his friends, they love him and are unflinchingly loyal to him, even at great inconvenience and potential cost to themselves. Good friends that they are, they also kindly but firmly tell him the truth about his pompous behavior–and, to his credit, upon their doing so, Toad recognizes that he needs to change his ways. The bond between Mole and the Water Rat is also beautiful, particularly the scene in the snow at Christmastime, when Mole catches the scent of his old house and, in tears, begs Rat, who wants to forge ahead, to help him find it. They do, and Ratty even helps Mole, whose joy at finding his home almost immediately turns into overwhelming embarrassment and unhappiness at seeing what a mess it is, put it to rights and transform it back into the snug den that it used to be, and, in Mole’s mind’s eye, still was.

Every now and then The Folio Society, which publishes gorgeous (and somewhat expensive) books, runs member polls. A few years ago it asked members which books they’d want to have if they were marooned on a desert island. “The Wind In The Willows” was one of the top vote-getters, if I remember correctly. What a wise choice!

What books do you think everyone should have read by the age of 21? What books would you want to be sure to have if you were marooned on an island?

May 27, 2011

Book illustrations, art, and story

Earlier this week I highlighted some beautiful sites and works of artists Lynda Barry, Kerry Dennehy, and Alyssa Sherwood and again mentioned Sue Symons‘s intricate and gorgeous Bath Abbey Diptychs. Over on the right hand side of this page, you’ll see some links to some art sites I really like. One of those sites is Old Book Illustrations, dedicated to illustrations scanned from old books.

Illustrations not only can capture and maintain a reader’s interest but also can help tell a story. I suppose that’s why they’re used so much in children’s books; kids who haven’t yet learned to read as well as they might can still get something out of the story by looking at the pictures, and those who read OK but who might not see reading as a really fun way to pass some time might stick with it longer if the book has some good pictures that they enjoy. Trial lawyers and other presenters understand this principle and employ it to good effect by using exhibits and PowerPoint presentations during trials and presentations.

But even apart from business or reading to our children, we grown-ups can still love pictures and illustrated books. I’d love to see publishers work with artists to provide more illustrated books for the adult market.  The Folio Society in London does; though its books are far more expensive than even the hardback editions of other publishers, they’re still an affordable choice (operative word being “choice”) if one of your priorities is to have beautiful copies of books you want to read and reread on your shelves. (Full disclosure: Alas, the Folio Society pays me nothing and gives me no discounts for my telling people how much I love their editions 😦 .)

Some writers have used pictures as the bases for stories. One of the best known recent examples is Tracy Chevalier’s “Girl With A Pearl Earring,” inspired by a Vermeer painting. (Chevalier describes the moment of her inspiration on her website.) And Oscar Wilde‘s “The Picture of Dorian Gray” has at the heart of its story a fictional portrait that changes with the soul of the title character, who remains outwardly forever young and beautiful–in contrast to his deplorable behavior and inner life. (Though the picture of that story is fictional, a 20th century artist, Ivan Albright, painted a real one that hangs in The Art Institute of Chicago.) And, of course, the growing graphic novel genre, in which the art is at least as important as the text to the story, has really come into its own over the past 30 years or so.

Have you read any books that featured memorable illustrations?

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